![]() Variations As with any other chord progression, there are many possible variations, for example turning the dominant or V into a V7, or repeated I vi progression followed by a single IV V progression. The vi chord before the IV chord in this progression (creating I-vi-IV-V-I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I-vi-IV-V-I progression (without any chordal inversions) the bass voice descends in major or minor thirds from the I chord to the vi chord to the IV chord. In this case, the 50s progression uses a IV chord, resulting in the ubiquitous I-IV-V-I progression. However, since a I-V-I progression is repetitive and skips most of the circle of fifths, it is common practice to precede the dominant chord with a suitable predominant chord, such as a IV chord or a ii chord (in major), in order to maintain interest. This particular cadence, V-I, is known as an authentic cadence. The most conclusive and resolving cadences return to the tonic or I chord following the circle of fifths, the most suitable chord to precede the I chord is a V chord. The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. Theory In Western classical music during the common practice period, chord progressions are used to structure a musical composition. For example, in C major: C Am F G (macro analysis).ĥ0s progression in C, ending with C ( Play Wikipedia:Media helpFile:50s progression in C.mid) The progression, represented in Roman numeral analysis, is: I-vi-IV-V. ![]() It has also been called the "Stand by Me" changes, and the doo-wop progression. As the name implies, it was common in the 1950s and early '60s and is particularly associated with doo-wop. Play Wikipedia:Media helpFile:V-IV-I turnaround in C.midĥ0s progression The 50s progression is a chord progression and turnaround used in Western popular music. Play Wikipedia:Media helpFile:I-vi-ii-V turnaround in C.mid Play Wikipedia:Media helpFile:Twelve bar boogie-woogie blues in C.mid Play Wikipedia:Media helpFile:Sixteen bar boogie-woogie blues in C.mid Play Wikipedia:Media helpFile:Romanesca.mid Play Wikipedia:Media helpFile:I-V-vi-IV chord progression in C.mid Play Wikipedia:Media helpFile:Rhythm changes in C.mid Play Wikipedia:Media helpFile:Ragtime progression in C.mid Play Wikipedia:Media helpFile:Gregory Walker progression in C.mid Play Wikipedia:Media helpFile:Passamezzo antico.mid Play Wikipedia:Media helpFile:Pachelbel Canon bass line (quarter notes).mid Play Wikipedia:Media helpFile:Omnibus progression.mid Play Wikipedia:Media helpFile:Montgomery-Ward bridge in C.mid Irregular resolution Type I: Two common tones, two note moves by half step motion. ![]() Play Wikipedia:Media helpFile:Irregular resolution I.midĬircle progression in C. Play Wikipedia:Media helpFile:Ii-V-I turnaround in C.mid Play Wikipedia:Media helpFile:Later Folia.mid Play Wikipedia:Media helpFile:Eight bar blues.mid Play Wikipedia:Media helpFile:Coltrane changes.mid Play Wikipedia:Media helpFile:Vi-ii-V-I in C.mid Play Wikipedia:Media helpFile:Bird Blues in Bb.mid ![]() Play Wikipedia:Media helpFile:Backdoor progression in C.midĪ 50s progression in C. Play Wikipedia:Media helpFile:Simple Andalusian cadence.mid Play Wikipedia:Media helpFile:50s progression in C.mid List of chord progressions The following is a list of commonly used chord progressions in music. References Article Sources and Contributors PDF generated at: Fri, 19:21:35 UTCĬontents Articles List of chord progressions PDF generated using the open source mwlib toolkit.
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